|
| |
The
relationship between art and environment gives us cause
for persistent reflection which grows together with
the continual territorial transformation, thus creating
an inexhaustible source for reflection.
Since 1996, its first year, until today, this event
has hosted more than 30 artists inviting them to visit
the Chianti's towns to realise works of art which could
intervene in the territory. The relationship with the
territory in a broader sense is the necessary condition
so that this operation may acquire sense and value.
The art works, which are heterogeneous in their planning,
procedures and aesthetics, find themselves from the
purely aesthetic passing to a social dimension, not
only through their actual presence but through dialogue
with the public and locally-based productive energies. |
|
|
October
12th - November 17th 1996 |
|
curated
by
Fabio Cavallucci
|
The
first edition, promoted by a restricted number of
Municipalities, with the support of Regione Toscana
(the Tuscany Region) and Provincia di Firenze (the
Province of Florence), presented a group of artists
who had elected the Chianti region, or at least Tuscany,
as the place to live or work in. Each of them had
chosen a place, generally an historical site, to install
their own works of art giving birth to an interesting
touristic- cultural itinerary into the Greve in Chianti
area.
Participating artists: Paul Blanchard, Clegg&
Guttmann, Pietro Consagra, Jan Dibbets, Gidon Graetz,
Joseph Kosuth, Jannis Kounellis, Leo Lionni, Luigi
Mainolfi, Heinrich Nicholaus, Giò Pomodoro,
Joe Tilson, Antonio Trotta, Betty Woodman.
|
|
|
October 11th 1997 - January 6th 1998 |
|
curated
by
Fabio Cavallucci
|
After
the success of the first edition, the following
year the exhibition had been re-proposed in the
extended Chianti area, Florentine and Senese, and,
apart from the newly recruited municipalities, the
project was supported by the Provincia di Siena
and also by the APT (promotional tourist Agency)
of Florence and Siena because of the important cultural
and touristic aspect of the event.
Participating
artists: Karel Appel, Stefano Arienti, Joseph
Beuys, Sandro Chia, Sol Lewitt, Mario Merz, Maurizio
Nannucci, Anne & Patrick Poirer, Mauro Staccioli,
Studio Azzurro.
Starting
from this edition there will be an important innovation
with the introduction of a section dedicated to
the young local artists called "innesti DOC",
curated by Bona Baraldi: artists under 35 resident
or active in this area are selected and asked to
confront themselves with a site-specific work. This
section take place at Panzano in Chianti, town equidistant
between Florence and Siena and therefore the ideal
conjunction between the Florentine and the Senese
Chianti.
|
|
|
October
16th 1999 - April 25th 2000 |
|
curated
by
Fabio Cavallucci
|
The
third edition of Tuscia Electa presented aspects of
continuity with the preceding editions but also innovative
elements.
As in the previous years, the artists installed their
own works in some historical and countryside sites
in Chianti, creating a step-by-step itinerary where
each installation represented an autonomous event,
complete in itself.
Moreover during the entire opening period of the exhibition,
concerts, performances and readings took place in
all the territory involved. Having confirmed and widened
the cooperation with the Regione and Province, from
this edition on, all the Municipalities of the Chianti
area have been involved giving their decided participation
together with the City of Florence and a collaboration
that remains at an embryonic stage with the City of
Siena.
Participating artists: Antoni Abad, Bruno Benuzzi,
Christian Boltansky, Nicola Carrino, Cuoghi &
Corsello, Emanuel Dimas de Melo Pimenta, Eliseo Mattiacci,
Mario Merz, Hidetoshi Nagasawa, Max Neuhaus, Michelangelo
Pistoletto, Arnaldo Pomodoro, Tung-Lu Hung, Bill Viola.
|
|
|
|
|
curated
by
Arabella Natalini
|
This
year's edition will concentrate on some of the key
spaces within the individual communities to be seen
in squares and main streets of these seven municipalities.
The intention is to create specific works to be placed
at "cross-roads", both physical and psychological,
conceived as interfering elements in daily life which
may, with their presence, redesign their host context.
Apart from these installations, the project provides
for the realisation of open spaces and gardens which
are not exclusively poles of attraction for the exhibition
public but which can become, with time, places which
may be really lived in and frequented by local inhabitants
as well as occasional visitors.
|
|